Showing posts with label beyond the door. Show all posts
Showing posts with label beyond the door. Show all posts

Thursday, February 18, 2010

International 80's Trash: Beyond the Door III

The place- Bulgaria.  The time- 1989.  The scenario- make a movie about kids trapped on a runaway train by Satanists (don't ask).  The goal- somehow pretend that this is related to a movie about a possessed woman and a crazy one haunted by her dead husband.  Unlike the last film, little effort has been done to recover the film from the spectre of being a fake sequel to a film that wasn't all that good to begin with.  The official DVD does not have the original title- Amok Train- although the sleeve and all promotional work do.  Although, to be fair, the original Beyond the Door actually begins with an alternate title- The Devil Within Her- and only displays its real title at the end.  It's sort of like that new trend in comic book writing of putting the story's title on the very last page...only dumb and confusing.  It's not like this title saves the surprise, since it says more about the plot than the real title.  Back to this bad movie though- it stars Bo Svenson...not that you can tell due to his silly goatee and odd performance.  This is really bad, so why delay it any further?  This is...

The film begins with a group of students being taken on a trip by their teacher (Svenson).  Oh and they also credit a woman as 'The Gipsy,' which is sad.  I've lost all hope for a good movie before the movie really began!  Right away, logic is gone too as Bo appears to be a community college professor who is taking his class on a trip to a village in the middle of Bulgaria.  What kind of group signs on for this?  What kind of students would take the trip?  Every one of these students is American-looking, so it's not a Bulgarian class going out to the woods.  Just pretend that part makes sense and move on.  They go to a village via train ride and discuss the Passion Play- light conversation.  Bo explains that the Passion Play predates Christianity or some bullshit.  The group makes fun of one girl for being a virgin, causing Bo to scold them.  He gives her a little speech about virgins are honored by certain societies, which is neither creepy or foreshadowing.  They arrive in a village full of creepy men and ugly women and are told to go to bed, despite it looking like mid-afternoon at best.  While they sleep, the villagers light their huts on fire and lock the doors.  All of our heroes flee, save for one who is possessed/hypnotized and just stays there.  Um, okay.


All of our heroes flee from the village and jump onto a passing train, all but our heroine.  The lead guy jumps off to keep her company...or something and injures his ankle in the process.  Boy, was that dumb!  The group tries to get some help, but the train won't stop until a few days from now.  While they are waiting, a mysterious person wanders around in a sub-plot with little pay-off.  Out on the woods, our hero is being dragged along by the girl- role reversal, I guess- as weird people follow them for no clear reason.  Meanwhile, the group is stuck on the train because...um, why are they stuck again?  As the original title would imply, the train is 'amok' and is apparently being controlled by some evil force.  Could it be- oh, I don't know- SATAN!  For whatever reason, the thing will not stop and is not being run by anyone, as evil magic on the train killed the conductor and engineer on the earlier night.  Our heroes are apparently too scared to get off of the train at the speed it's going, so their solution is to not try and do anything.  We get some scenes of the train crashing through the woods, which make the miniature shots from Inglorious Bastards look like Star Wars by comparison.  Give me some pay-off, movie!

Eventually, our two heroes manage to get on the train, but that's because the force wants them to.  You see, they want our heroine for an evil sacrifice to Satan...not that you did not already guess that.  As the ride continues, our heroes get picked off by the evil force.  One of them is possessed to freeze while hanging on the outside of the train and gets impaled by the railway marker when they pass it.  Another one gets mauled by the tracks itself while trying to save the girl from falling.  You don't need the lower half of your body, do you?  Eventually, the bad guys stop the train and take our heroine for the sacrifice.  However, they failed to realize that the spirit of a Christian Saint appeared before the young woman and had sex with her.  No, I'm not making that up.  This causes the weird creature- looking like a small version of the demon from Conan the Destroyer- to explode & the cultists to flee.  Our heroine calmly leaves and goes to the airport.  We see this via a tracking shot through a crowd of people who all stop to stare at the camera.  Seriously, guys?!?  The ghost of the Saint appears to our heroine and then she gets on the plane.  During the night, the monster appears again and attacks our heroine through the window...only to be a dream.  You've going to end on a Big-Lipped Alligator Moment, guys?

This movie is not good for a lot of reasons.  The whole premise is just odd and makes very little sense.  The bad guys bring a group of people out to the woods when they only need one?  When the target escapes, they take control of a train...that she's not on.  Even if she was, what was the point of trying to make it crash through everything?  The acting and writing are not good here & neither are the production values for that matter.  Why cast Bo Svenson in such a role?  He's not low-key enough to be sinister or melodramatic enough to be crazy.  Bo has all the range of a piece of string, guys!  You can do much better for your choice of movies and your time.  Let's move on.

Up next, Rare Flix returns with a made-for-cable remake of Roger Corman's dark comedy classic.  Is it good?  Does it have a multitude of comedians in early, cameo roles?  Stay tuned...

Tuesday, February 16, 2010

Mario-mania: Beyond the Door II (aka Shock)

This one is a bit confusing to explain, but I'll do my best.  In 1977, Mario Bava made a film called Shock with Daria Nicolodi about a young mother who is haunted by the ghosts of the house she now lives in with her new husband.  This is actually the last feature film completed by Bava, but that was not enough for international distributors, so they retitled it Beyond the Door II.  Why?  We all know why, so I won't bother with the obvious answer.  Actually, there is one connective thread: the same actor who plays the young boy is in both films.  Not that he plays the same characters, mind you, but he's there.  Fortunately, proper cuts of the movie and good DVD distribution companies have all but erased that from history.  As for Beyond the Door III...not so much.  I'm getting ahead of myself here, so let's stay focused.  Blue Underground released a very nice DVD presentation of the film, which I'm honored to bring to you.  No burned-in subtitles or VHS transfers here.  This is...
The film centers around a family that has gotten through a tragedy and is ready to move on.  The woman (Daria Nicolodi) is back in her old home that was inhabited by her deceased ex-husband.  There is a less-than-subtle mystery to the story however.  You see, the woman has just gotten released from an insane asylum after the murder of the husband.  The husband (John Steiner) has been the one pushing for them to move back into the house, but his motives are not fully-known just yet.  The kid they have is a young boy that has a personality that seems to be equivalent to a Slinky going down a set of stairs.  The wife is very insistent that they should not be there, but the husband insists.  Mind you, he is an airline pilot and is constantly going off for work.  If you leave your wife in a house that drives her crazy, you just might be...a bad husband.  The weird stuff comes in many forms, the most notable of which involving the kid telling the mom that he 'has to kill her.'  A lot of this stuff is subtle, while some of it is very, very direct.  All in all, it makes for a moody atmosphere, even if nothing is exactly clear.
*
As things get worse, the kid appears to be talking to some invisible person.  Just to note: this predates Poltergeist by five years.  The kid seems to go out of his way to make some weird, magical effects to affect the family.  At one point, he causes the father's plane to nearly crash by putting a cut-out of his face on a swing and pushing it around.  Maybe you should not have bought your kid Voodoo For Dummies!  He also causes the mom to go even more over the edge before the truth finally comes out.  You see, she killed her husband because he was an abusive drug addict who forced her to do the stuff too.  After the stabbing, a life-long friend (Steiner) staged the death as an accident and had her committed to avoid prison.  His reason for moving them back into the house: to get rid of the body.  Apparently, it was dumped in the basement wall and would have been discovered upon renovation.  The woman repays him for all of this work by stabbing him to death in the same basement.  She lets loose a serious of screams that put Jamie Lee Curtis to shame.  The furniture appears to be cornering her in the basement and driving her to suicide.  A chest presses her against the wall and opens to reveal a box cutter, which she uses on her own wrists.  As she dies, the kid can be seen in the yard having tea with the invisible force.
*
This movie is actually pretty good, although it still does not make a whole lot of sense.  As part of the Beyond the Door 'series,' it is the strongest entry so far.  As a Mario Bava film, it has all of the usual touches that you expect.  Is it ever going to replace Black Sunday or Black Sabbath as the premiere Bava films?  No.  The movie offers a lot of atmosphere and does actually wrap up it's story in a fairly-logical fashion.  There's just some intangible thing missing from the film though, which I can't place.  It is a rare starring role for Daria and she does not get killed in a violent, sadistic fashion by a killer like she does in nearly all of her Argento films.  If you are going to see one film with Beyond the Door as part of its alternate titles, make it this one...even if I don't get all of it just yet.
*
Next up, we wrap up the 'series' with a 1989 film set in the Czech Republic.  Well, at least it does not star an aged Bo Svenson.  What do you mean 'he's in it?!?'  Stay tuned...

Clone Wars (The Exorcist): Beyond the Door

The Beyond The Door series is not so much a Series as whatever Films people wanted to make and sell as Sequels.  As you will learn in the coming days, there is not even the remotest of connection in themes between the films, let alone characters or plot.  As a bonus, the 'third film' was released 12 years after the second one!  We're supposed to buy this, why exactly?!?  The first film is a pretty blatant knock-off of The Exorcist.  I could say more, but...that's a pretty good summary, actually.  Let's dive right into...
The film begins in a very odd manner with a shot of a car flying off the side of a California roadway.  Damn you, Toonces!  When you will learn?!?  The shot of the car flying off freezes, however, and we get a droning narration going over it.  Our narrative jumps to that of a young woman going grocery shopping.  The film tries to set her up as 'Mother of the Year' from the get-go by having her go shopping and leaving the kids in the car.  Even in 1974, that was still a bad thing!  Oh and her kids have weird habits that are never really explained.  The boy eats nothing but pea soup (it does not pay off in the way you think), while the girl has several copies of the book 'Love Story' that she reads.  Yes, she has multiple copies of the same book...and it's that one...and she carries them all together.  The father of the kids is a music producer, which is an excuse to give us some padding shots of rehearsal.  Do they add anything?  Nope.  At a dinner party, our heroine learns that she is pregnant and her body is not taking it well.  Oh and she's several weeks ahead of schedule for no reason.  It's probably not a good pregnancy when your baby is growing up super-fast and causing you to vomit blood, is it?  Our heroine acts worried about this for a while and...that's about it for a while.  Let's skip that, shall we?
A mysterious man (Island of the Fishmen's Richard Johnson) keeps wandering around and stalking the husband.  He hears the wife talking about some guy named Dimitri and looks into it.  He was apparently an ex-boyfriend of hers (despite looking 20 years older than her) that was into the occult.  He made some sort of deal with the devil and she's now pregnant with Satan's baby.  That's right- we have merged an Exorcist-clone with a Rosemary's Baby-clone!  That is one ugly, baby!  The woman acts all freaky and talks in the devil voice, while the kids...pretty much vanish from the story.  They are shown a few times, but stop contributing for a while.  See you in the finale, kids.  
As for the man, he is supposed to deliver the child to his dark master and was placed in some sort of spiritual limbo until he did so.  Does it really ever get explained?  No, not really.  We get a whole bunch of scenes of the woman continuing to act freaky, but we never really get a priest character- just some doctor guy.  It's a bit of a letdown, but stay with me.  After some more talking and wandering, the lady/Satan gives a big speech to the doctor.  Immediately following this, we get a juxtaposition of two scenes: the car returning to its falling and the young boy riding on a ferry.  The kid unwraps a toy car and dumps it off the boat, causing the real car to do so...in the past?  The End.
This movie is not...logical.  The flow of it is so odd, spending lots of time on the build-up and just sort of hanging around.  I want to know who writes these odd movies that just sort of linger around and don't go anywhere.  How do you send that in to producers with a straight face?  Twelve pages of tedious dialogue and no direction- they'll love it.  As a horror film, it is a very '70s horror film.  If you like The Exorcist...I would stick with that movie.  It is much better than Seytan and Exorcism (sorry, Paul), but not really all that good as a real movie.  It's interesting...but not much more.  That's about all I can say about it.

Next up, the sequel which...is about a crazy person and ghosts.  Yeah, it's not even related- although it is by Mario Bava.  Stay tuned...