This is the Remake of a '70s Classic, but NOT the Streaming Remake with Eddie Redmayne.
Multiple Remakes make things confusing!
This is 1997's The Jackal, which is mostly a Remake of The Day of the Jackal.
Why the name change then?
In short, the people that owned the rights to the Original didn't want a Remake (and the original Star turned down a Cameo). Changes were made to the Story and it was retitled simply 'The Jackal.'
Everyone was happy- relatively so.
The Plot involves a contract killer who has a big target in America. The Government brings in the only man who can ID him (that's currently alive).
Can they stop him from taking out his target?
Who will survive?
To Find out, read on...
After a nauseatingly-90s Credits Sequence, we see an FBI Agent (Sydney Poitier) in Russia.
Him and some Agents try to bring in some Russian Mobsters.
In the chaos, one of them is killed by the Lady Commander.
The man's brother- also a Mobster- is quite upset and hires The Jackal (Bruce Willis) for revenge.
Charles De Gaulle was the original target, but he died 27 years before this one came out.
Instead, he's paid 70 million dollars to kill the Head of the FBI!
As the Film shows us Willis getting his fake ID and money transfers, the hit is revealed under intense 'questioning' by Russian officials.
Knowing about it, they seek out a woman who saw Willis, but need a SECOND person to find her.
It's Richard Gere playing a Former IRA Member.
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| My reaction when I learned that he'd be doing an accent this whole Film. |
The Jackal continues to change outfits in basically every Scene as he works out his plan of attack.
As part of his plan, he orders a giant gun and needs someone to make a mount for it.
That's your cue, Jack Black!
After some filler involving smugglers (what does it add?), he gets it working.
Since Black essentially extorted him for more money, he tests out the gun on him!
Plot twists abound as The Jackal does find out about the FBI's plans and Gere being out.
He finds out about the woman who can ID him (who was pregnant with Gere's baby when he shot her) and goes to her house.
The Agents at the house- including the Lady Commander- meet a bad end.
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| RIP JK. No LOL. |
Willis makes it to America via boat with his giant gun and gear.
He eludes capture at the Marina, seemingly leaving the gun (hidden in the ship's mast) behind.
He still has it, however, and sets himself up to kill...The First Lady.
That was his target the whole time!
Gere- with help- stops the attack and Willis flees.
After taking a hostage, he nearly kills Gere before the woman shoots him.
Gere- being the Lead- gets the final shot(s plural) in though.
In the aftermath, he's allowed to escape by Poitier, since his pardon was rejected.
A Film that had potential, but can't quite decide what it wants to be.
The Film can't decide whether the focus should be following Willis or Gere. As such, the focus is constantly pulled one way or another.
They really want you to get invested in the minutia of Willis' work, from showing you him buying a car to painting it to repainting it.
If that's the case, make it about him.
If this was made today, a Film just following the bad guy with minimal amounts of people working the case could absolutely work.
They tried to make Gere compelling, but it only sort of works. He's still Richard Gere, but his motivation doesn't come about very naturally.
The action is oddly minimal here, as this one also can't decide whether it is a subtle '70s Thriller or a violent '90s Action Film. Nobody quite wins out.
It's not a bad Film, but the conflict in production and story keeps it from being great. I'm nicer than the Newspapers were.
Young folks in 2026 do know what Newspapers were, right? You're not
Lost?
Next up, I dive back into my (still growing) digital collection. What fun can I scrounge up before October begins? Stay tuned..