Everyone has to start somewhere in any Industry.
In this case, it is James Cameron getting his first gig as a Director on today's Film- Piranha 2: The Spawning, the 1981 Sequel to the Cult Classic.
There are many caveats here, but I'll get to that.
This is a Sequel made in Italy by a man named Ovidio G. Assonitis. And yes, that is his real last name.
He Produced many Films that only true connoisseurs of foreign nonsense have seen and sometimes love like Beyond the Door, Tentacles and The Iron Warrior.
In this case, he needed an American name on his Sequel (to a Film that he didn't make) and ultimately settled on James Cameron, fresh off working on Roger Corman's Productions.
The Plot involves those damn Piranhas back for more in a Plot that actually mirrors some future Jurassic Park Films.
Is this Euro Trash with an American Title? To find out, read on...
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| My version has a different Subtitle. |
They die.
There's a Jaws-like Mayor figure in the form of the Resort Owner.
Our Heroine- who would reunite with Cameron for Titanic- is the Diving Instructor/Tour Guide.
As a bonus, their Son is in peril for the climax, giving us a taste of Jaws 2.
While this is officially directed by Cameron, he only claims credit for 2 Scenes.
They are chased off by a Local Worker, who sticks around with the corpse uncovered long enough for one of the Piranha to fly out of an open wound!
One of the Fishermen- Gabby- finds his son killed by one of the Piranhas.
That night, all of the warnings are ignored and the beach is opened...but at night.
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| My...arc...was pointless. |
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| Helicopters famously explode upon contact with water. |
A pretty forgettable 'Sequel,' save for a few minutes throughout.
This one was supposedly going to try and get Kevin McCarthy to make a Cameo as his Piranha character and die off. That never happened.
What we're left with is a Film that very, very much feels like an Italian Monster Movie.
It has all of the benchmarks, including much superfluous nudity and sleazy people.
There is also LOTS of stuff ripped off of/inspired by Jaws, which is pretty damn common in Italian Cinema between 1976 and 1996.
The FX work also led to what made the Face Huggers in Cameron's Aliens, so some good came of this.
I'd love to say more about this being a 'hidden gem' or something, but...nah.
It has some moments, at least.
Speaking of moments, now is the right one to bring this back...
Next time, Roger Moore is back in his (arguably) most maligned Bond Film. Is this Sci-Fi premise too much for the Series? Stay tuned...











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