Showing posts with label armando de ossorio. Show all posts
Showing posts with label armando de ossorio. Show all posts

Monday, October 12, 2009

Columbus Death: The Ghost Galleon

Happy Columbus Day! Let's celebrate a holiday based around a guy driving a ship to where he was not going and not discovering America. If that's all we need, any douche-bag with a speedboat should have a holiday! Boat- check. Not discovering America- check. So how do I celebrate such a dubious pretense for a holiday? With a movie that has a dubious reputation among horror fans, that's how! This is the third film in the famous Blind Dead quadrilogy and usually seen as the 'black sheep of the family.' Let's be honest- it's the fourth film that really stands out simply being 'blah.' This movie is judged quite harshly for its unique setting and some bad special effects added in post-production. Let's judge the film on its own merits- shall we? This is...
Our story begins in a very curious manner with a bunch of models doing a fashion shoot in a dimly-lit building. The thing turns bad when one of the women is kidnapped and taken out to sea. Some of her friends try to get involved, but that does not exactly work all too well. The bottom line is this: they end up on a boat in the middle of the ocean. They run afoul of a mysterious ship and see that their only option is to explore the ship. I mean, they are stranded, so why not? Some hints are given early on by a professor that the ship was one that was used by the Knights Templar back in the day, but it went missing. I sure hope that there aren't actual any of these guys on the ship. Oh crap, there are! The emergence of the creatures is welcome, since most of the characters are not exactly all that likable. The guys look as creepy as ever, their appearance aided by the dark, moody setting. Our heroes quickly figure out that there is not exactly a lot of room to hide on this ship. Plus, they can't exactly run away right now! Houston, we have a problem!
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The only saving grace for our heroes appears to be the dawning of the morning sun. Like in the previous films, they cannot move during the day and simply lie in wait. This gives our heroes time to figure out a way to survive. This is where the controversy about the film lies, as many people found the characters so unlikable that any lull in the horror was deemed 'boring.' While it is certainly not the best part, this does not kill the movie. One issue that is prevalent is a lack of explanation in regards to the beasts, especially when compared to the other films. We know that the Templars were evil and died, but that's it. Anything else is not important, apparently. When night time comes, our heroes try to hide from the monsters- it does not work all that well. Some of the kills are not that good, but the ambiance and atmosphere really shines here. Armando de Ossorio does his best to avoid showing the bad model ship that the studio gave him for establishing shots and does this often by using some strange angles. Let's get to the real meat of the film, shall we?
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When dawn emerges on the final day, our heroes finally figure out that they need to get rid of the Templars. They manage to dump their coffins (a new thing to the series) into the water with them inside. The pressure comes in the form of time, as our heroes need to move these massive things before the sun goes down. In some fairly-bad effects shots, we see the coffins float to the bottom. Our surviving heroes sit the ship on fire to put the evil completely to bed, giving us another sad shot. The real horror of this film is the budget! The tiny ship burns as our heroes escape to a nearby island. Unfortunately, it is not that simple. Come nightfall, the zombies emerge from their now-wet coffins and walk along the ocean shore. The duo sit on the beach, celebrating their victory in an exhausted state. The monsters rise from the water and linger over our heroes as the credits roll. That's how you end a horror movie!
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This movie is certainly flawed, but saves itself in the creative wrap-up. One thing that this series did was mix-up the endings and locations. We get the plains (Part 1), a town (Part 2), the ship (Part 3) and an seaside town (Part 4). As for this film, it is definitely a unique entry in the series. The idea of the people being trapped on the boat is a great one, but the execution is not perfect. Would this film have been better with a couple million more dollars? Absolutely. Ossorio himself talked about how much he wanted the films to be bigger than they were, but he was forced to work with so little. This was pretty much his whole problem throughout his career. In spite of all this, I encourage you to try and watch this movie with an open mind. Is it a classic? Maybe, but certainly not in the classic way. Check out it for yourselves.
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Up next, a film that words cannot do justice. Freddy Krueger + Bollywood = win. Stay tuned...

Wednesday, May 20, 2009

Spanish Fly: Night of the Sorcerers

Spain is often underrated when it comes to the world of Horror Cinema. Everyone knows Italy's trash, Japan's ghost children and Korea's ghost children with different names. They neglect to consider the works of such men as Paul Naschy and Amando de Ossorio. The latter is the man who directed today's film...
The film begins with a scene so weird that you would swear that it was a dream sequence. It's all real, baby! A white woman is chased by native Africans through the jungle. No, this is not a Tarzan film. She is grabbed, tied to a tree and whipped. Thanks to movie magic, the lashes take of all her clothes. Satisfied, they bring her into a clearing, set her up on an altar and cut her head off. This rolls to the ground and her blood drains out.
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We cut to what I assume is present day. That whole thing feels more dream-like now, huh? Two couples show up to film a nature documentary, but there are problems. The natives are restless, the land is wild and, since these are foreign movie couples, they are all cheating on each other. They are warned like everyone in a horror movie is, but, naturally, ignore the logical warnings and stay the night. That is when the weird stuff starts to happen.
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The natives get a little freaky at night- drumming, dancing and inter-mingling. One of the young ladies wanders off in the direction of the drum sounds and is captured. She gets the same treatment as the lady in the prologue and dies. This all happens while one of the men is putting the spurs to his non-girlfriend. Needless to say, his cover story for missing his watch duty the next day is pretty weak. As day turns to night, we get the first of the movie's really strange sights: vampire women in leopard-skin bikinis. No, I am not kidding you. They run through the foliage in Baywatch-style slow-motion. I don't really know why, since the effect is not the same with them as it is with Pam Anderson.
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Being horror movie characters, our heroes find out the truth far too late. By that point, both young woman are now 'beach blanket Nosferatus' with a 'hunger.' The guys are pretty ineffectual, leaving only the audience to be strong-willed people. Despite being a European horror film, the ending is actually relatively-happy. The corpses are still corpses though. Only Gate II and Sodoma's Ghost had the gal to undo that.
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This is a fun film, but it is definitely not best to compare it to the Blind Dead films by Ossorio. Well, maybe part four (Night of the Seagulls). There are similar riffs here (humans becoming monsters, people running in slow-motion), but it is not nearly the same. The terror is gone at the sight of the amusing monsters. As far as Spanish horror films go, you can definitely do worse. Most foreign film fans will tell you that worse would be The Ghost Galleon. I tend to disagree, but, whatever.
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Do you love plot twists in films? How about 500 or so? Stay tuned...